Kurdish Documentary Cinema in Turkey: The Politics and Aesthetics of Identity and Resistance
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Merry Murderers: The Farcical (Re)Figuration of the Femme Fatale in Maurine Dallas Watkins’ Chicago (1927) and its Various Adaptations
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Mesoamerican Open Spaces and Mural Paintings as Statements of Cultural Identity
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Metamorphoses of (New) Media
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Museums and Public Art?
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New Approaches to the Temple of Zeus at Olympia: Proceedings of the First Olympia-Seminar 8th-10th May 2014
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On Ibsen and Strindberg: The Reversed Telescope
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Open Access: Contextualizing the Archivolted Portals of Northern Spain and Western France within the Theology and Politics of Entry
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Patterns in the Production of Apulian Red-Figure Pottery
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Performing Identity and Gender in Literature, Theatre and the Visual Arts
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Renaissance and Baroque Art and Culture in the Eastern Polish-Lithuanian Commonwealth (1506-1696)
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Serious Dialogue: Interviews with American Theater Critics
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Sexing the Border: Gender, Art and New Media in Central and Eastern Europe
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Shirley Gorelick (1924–2000): Painter of Humanist Realism
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South American Cinematic Culture: Policy, Production, Distribution and Exhibition
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Spirituality in Late Byzantium: Essays Presenting New Research by International Scholars
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The Book of Angels: Seen and Unseen
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The Origin of Hardy’s Tragic Vision
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The People’s Pictures: National Lottery Funding and British Cinema
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The Presence of the Feminine in Film
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