American Museums and the Persuasive Impulse: Architectural Form and Space as Social Influence
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Metamorphoses of (New) Media
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Renaissance and Baroque Art and Culture in the Eastern Polish-Lithuanian Commonwealth (1506-1696)
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On Ibsen and Strindberg: The Reversed Telescope
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Transcending the Borders of Countries, Languages, and Disciplines in Russian Émigré Culture
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Global and Local Art Histories
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Patterns in the Production of Apulian Red-Figure Pottery
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Open Access: Contextualizing the Archivolted Portals of Northern Spain and Western France within the Theology and Politics of Entry
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Expression in the Performing Arts
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Holocaust Film: The Political Aesthetics of Ideology
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Art and the Artist in Society
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Ethical Encounters: Boundaries of Theatre, Performance and Philosophy
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Explorations in Southern African Drama, Theatre and Performance
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Bresson and Others: Spiritual Style in the Cinema
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Performing Identity and Gender in Literature, Theatre and the Visual Arts
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Combining Aesthetic and Psychological Approaches to TV Series Addiction
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Shirley Gorelick (1924–2000): Painter of Humanist Realism
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Mesoamerican Open Spaces and Mural Paintings as Statements of Cultural Identity
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The Book of Angels: Seen and Unseen
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Merry Murderers: The Farcical (Re)Figuration of the Femme Fatale in Maurine Dallas Watkins’ Chicago (1927) and its Various Adaptations
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